Another thing I like to do when photographing events like writers festivals is to include the audience in the picture while maintaining the viewers concentration on the principle author on the stage, which in this case is Samanta Schweblin, who is both centered within the frame and in the brightest part of the picture.
Naturally I have headshots of her and the other authors, such shots are mandatory and everybody does them because they’re expected by the organisers for the web etc.
However, although these oddly framed shots are rarely used on festival internet pages, they do often appear much later in printed matter or online articles and the reason for this is something I find very interesting. Although such pictures appear to have been shot by an amateur they are in fact a part of the professionals toolbox. The deliberate “amateurish” framing of the shot makes the picture appear more spontaneous or truthful than its tightly framed brethren, a “this is how it really was on the day”-type of photo that adds visual engagement and points of reference to an article or review.
However, you do sometimes get some odd looks from people who wonder if you know what you are doing.
50mm, f4, 1/80sec, ISO12,800 (in these situations I always have the ISO set to auto)