meeting expectations

Berlin’s Night of Music takes place on the longest day of the year, and that was yesterday; consequently, we are now on the slow slide into winter. That’s not really a bad thing as I like the winter months. It’s also the signal to begin the marathon of festivals and events that make the summer months interesting.

Like we have done for the previous two years, I – along with a group of intrepid artists from the Brücke Kunst – took up our positions on the crossover bridge at Berlin’s oldest harbor near Jannowitz Brücke. We do this to engage with people, both young and old in the process of painting, modeling, etching rubbing, playing an unplayable instrument and posing for an almost instant photographic portrait, all for a bit of loose change.

It may sound odd but we are getting repeat business, especially for the portraits. One family has gone from one child to three over the period and they have sat for a portrait with each new addition, becoming old friends, although I was assured that there would be no extra child in next year’s picture.

The two young ladies in today’s image are sisters from Melbourne, Australia who are travelling Europe and only in Berlin for a couple of days.

And if you were to ask ‘Why do I find this picture interesting? Because it looks like any standard tourist snap shot” then I would reply, “Where are the flash marks, why aren’t the highlights (faces) blown out by the flash, and isn’t the light nicely balanced to bring out the blue in the night sky?” It’s a movie version of what a snapshot should look like.

It looks like a travel snapshot because it’s designed to look like one.

In post some grain was added, a vignette filter to darken the top and warmed the image up a little, but other than that it’s straight out of the camera.

The soft even lighting on the young women is not the product of skillful lighting on my part, but modern technology in the form of a ring flash that cost just over €100. that I was using as a key light in portraits for the first time yesterday.

I think it is important to consider what a photograph will be used for, which in this case is memories of Berlin, and that’s why it is the way it is.

50mm, f5.6, 1/180sec, ISO320, Yongnuo Ring Flash at ½ power

Comparisons

I thought it a good idea to put up the original image from the latest of my relentless investigations into how the photographic process can be used, abused and manipulated as I struggle to get the camera and post-processing deliver the image I want.

Being digital the first thing I do after I taken a shot is look to see if the image is correctly exposed, but at the time the camera showed just a dark blodge with a highlight, it doesn’t look much better now, but this is the images that became the pervious post on the 25th , after minimal post processing.

As I’ve said before, technology, I just love it.

35mm f2.5, 1/20sec, ISO400

And now For Something Decisively Different

28mm, f2.8, 1/60sec, ISO200

Berlin Nights

During the weekend I was at a café in the Berlin Old Harbour area and as I’m preparing for my trip to Australia I thought I would experiment with the stitching technique under the worst possible conditions.

To take this picture I had to handhold the camera at very slow shutter speeds plus there are 26 photos in the stitch, which made it a bit of a challenge.

The effect is quite dramatic and I am very pleased with the result. It’s nice and punchy without being candy-coloured, which is a result of three or four light sources. It might have been better if I had used a tripod but who carries that much equipment to a bar, not me.

85mm, f1.8, 1/10sec, ISO1000